Displaying episodes 1 - 30 of 157 in total
Our guest on this episode is the Founder and CEO of Chartmetric himself, Sung Cho. During this fireside chat, recorded live at our company retreat in upstate New York, Sung talks candidly about where we've been, where we are now, and what our future holds.
On this episode, we chat with DICE President Russ Tannen about how the DICE platform is helping independent music venues, artists, and fans as live music comes back to many major cities.
To coincide with the XP music conference in Riyadh, guest host Chaz Jenkins discusses music trends in Arab countries with Lebanese musician, director, and writer Firas Abou Fakher.
On this episode, Milana Lewis, Co-Founder and CEO of Stem Disintermedia, talks about the current state of music distribution, financial tools for artists, and how Stem makes it all easier — sharing her thoughts on how artists and leaders can best execute their visions along the way.
We sit down with Dave Melhado, UnitedMasters’ Head of Marketing, to talk mobile music distribution, monetization, and how UnitedMasters is changing the game for independent artists.
Aileen Crowley, Former VP of Global Streaming Marketing at Universal Music Group, discusses playlist promotion, fan conversion, and why artists need a holistic approach to their digital marketing strategies.
Our guests today are students from Popakademie, Germany's premier conservatory for popular music. We dive deep into their research on the correlation between the TikTok charts and the German charts and how it's helping catalog make a comeback.
On this episode, Zael Ellenhorn, a YMU Group artist manager whose roster includes RAC, Kina, and Ryan Caraveo, walks us through his thought processes when it comes to managing artist relationships, developing social media strategies, and building super fandoms.
Water & Music writer and BTS ARMY member Ami Patel dives deep into the once-in-a-lifetime phenomenon that is BTS and BTS ARMY. Patel explains why ARMY is such a force and how the powerfully engaged fanbase uses data to hold the music industry to account.
While the proliferation of data is reshaping the role of A&R in the music industry today, what A&Rs look for in an artist hasn’t changed much. What an A&R looks for in an artist's data — and how they look for it — has.
We were lucky enough to feature some of Andrew Thompson's research on our blog in an article he wrote called “What Spotify Follower Ratio Tells Us About Artist Growth and Fan Engagement.” Learn more about his work with Components, the differences between the Bandcamp model and the Spotify model, and what Spotify follower ratio actually means on this episode.
On this episode, we chat with Digital Marketing and Analytics Consultant (Amorphous, Still Woozy, Remi Wolf, Suzuki Saint, and Miss Madeline) Adam Kanwal about promoting music with a global mindset and cultural sensitivity. Bringing emerging artists "from 0 to 50", especially in markets such as the Philippines and Indonesia, requires a whole new mindset, which he writes about in his Chartmetric blog article entitled, “How to Promote Your Music in Southeast Asian Trigger Cities.”
In honor of Mental Health Awareness Month, on this episode, we talk to Berklee's Camille Lopez-Silvero about the article she wrote for the Chartmetric blog entitled, “The Under 27 Club: Music and Mental Health in the Streaming Era.”
On this episode, we talk to the Founder and Director of London-based firm Songular, Sam Lee. According to Songular’s website: “Songular is an independent music company that empowers fearless artists through strategic streaming campaigns. [Their] approach is artist-first and data-driven: This means that [their] bespoke campaigns are shaped by the stories [their] artists have to tell, and [they] use data to link the strategy to the story.” Songular’s roster includes Joji, Bakar, Young T & Bugsey, Zara Larsson, and Flume. Previously, Lee has served as a Music Editor for Deezer, a Radio Plugger, and in his earliest days, a Broadcast Assistant for the BBC and regular contributor to British culture outlet, NME.
Francisco is back to discuss the final part of our series on The Rise of Regional Latin Music. Here, we will preview where he sees not only Mexican Corridos or Colombian Cumbia going, and how these and other forms of Latin American genres are mixing to create new music for today’s younger generations.
Back for a second podcast visit, Mexico City-based Sony A&R Research Manager Francisco Toscano explains how global music streaming platforms like Deezer, YouTube, Pandora, and Spotify are driving the international growth of Colombian music genres like Vallenato, Música Popular Colombiana, Cumbia, and Champeta, rivaling other global talent like Lauv, BTS, and Carrie Underwood.
On this How Music Charts episode, Dan Runcie breaks down the business of hip-hop with his media company Trapital. Trapital began as a subscription-based newsletter talking about topics such as Beyoncé’s streaming strategy, how the hip-hop’s indie community has taken off and How Tyler, The Creator Built a Cult-Like Following. Trapital’s readers are music executives, media moguls and venture capitalists. We cover why a San Francisco Bay Area tech strategist is in hip-hop, how he fell in love with hip-hop culture, how he leverages his experiences in edtech, fintech, and with a major commercial airline, and his time as a freelance writer for WIRED and Complex. This episode's Speed Round topics: Bobby Shmurda's release, Square acquiring Tidal, Master P & Clubhouse, Scooter Braun's venture into cannabis, and TikTok's Black Creatives program.
On this episode of How Music Charts, InnerCat Music Group founder Paris Cabezas explains how a tech-oriented, data-driven mindset can help optimize digital music distribution, artist marketing, and YouTube monetization in today's music industry. As a bonus, he also breaks down the complicated, and often misunderstand, concept of neighboring rights.
On this episode, we talk to Milwaukee-based, genre-bending independent artist Cullah, who has released an album every year for the past 15 years, subscribing to an open-source, royalty-free, and data-driven approach to his music career.
Mexico City-based Sony A&R Research Manager Francisco Toscano explains how global music streaming platforms like Deezer, YouTube, Pandora, and Spotify are driving the growth of Mexican music genres — from Mariachi to Corrido — and regional Latin music worldwide.
Today’s guest is Jacob Fowler, Chief Technology Officer at The Orchard. In four years, Fowler rapidly worked his way up the chain of the music distribution giant from Product Manager to Director of Product to SVP for Engineering and Product and then to his current role as CTO, starting in February 2020. On this episode, we talk with the music industry exec about music tech, mobile apps, and signals that artists and their teams should look out for in their streaming and social media data.
On this episode, we chat with Priya Dewan, VP of South Korea and Southeast Asia at The Orchard and CEO of Gig Life Pro. Priya knows the music markets in Asia inside and out — not to mention the qualities it takes to be a leader in the music industry, no matter what market you’re in.
In the second part of our conversation with Synchtank Founder Joel T. Jordan, the music licensing entrepreneur talks data efficiency and artistic integrity.
Synchtank Founder Joel T. Jordan is a punk rock music entrepreneur now connecting the biggest movies, TV shows and video games through slick tech. Learn about his rise in the world of music synchronization and how artists can make licensing a real part of their career. In Part 1 of this two-part episode, we get into Jordan’s punk beginnings in the business, and weave a narrative through the world of music licensing that translates his punk rock, do-it-yourself ethos into a sector with surprisingly similar DNA: technology.
In light of our exciting new Pandora integration, we chat with Pandora's Dan Wissinger and Jay Troop about why Pandora matters to the music industry and to artists’ careers, how artists can get their music on Pandora, and what strategies you can use to make sense of your Pandora data — whether it's on Next Big Sound, AMP, or Chartmetric.
In honor of the recent Black History Month in the United Kingdom, Warner Music Group's Christine Osazuwa has taken over today’s episode to discuss equality and diversity in the music industry with UK Music's Paulette Long OBE and Ammo Talwar MBE. Aside from her role as Director of Data & Insights, Christine is also a Co-Chair of WMG UK’s Black, Asian, and Minority Ethnic (BAME) employee resource group, The Link. As a Nigerian-American working in the UK music industry, Christine is committed to a diverse and equitable music business and the power that data can bring to any conversation — as are her esteemed guests, both of whom run the UK Music Diversity Taskforce.
We’re back with a Part 2 of our talk with award-winning journalist Cherie Hu, who has been covering the intersection of music, technology and business for over five years. In this section, we get her hot takes on recent headlines involving the geopolitical TikTok debate, virtual singing competitions, and of course, Kanye West. We also visit Cherie’s well-informed crystal ball, and hear some of her predictions over the next few years on Kobalt Music, audio on Amazon and Audible, and songwriting artificial intelligence. Finally, we get into how Cherie has grown her 8K-member newsletter Water & Music and 600+-member Patreon community to support her ability to provide independent insights and cultivate a like-minded community of innovators. Towards the end, you’ll hear a question from one of our newer writers, Michelle Yuen, whose work you can find on our blog at blog.chartmetric.com.
In Part 1 of our conversation with music tech soothsayer Cherie Hu, we go down two futuristic rabbit holes, including what streaming technology will look like in 2040 and what role "fake" artists have in the future of the music business. Plus, we dive into the future impact of gaming and film on music.
Moscow-based K-Pop concert promoter Sophie Chivanova returns to How Music Charts to talk BTS, Fortnite, and the future of concerts in a post-COVID world.
Sophie Chivanova: from Russia with love for K-Pop and concert promotion. The Moscow-based K-Pop concert promoter speaks to How Music Charts about the Russian music industry, why streams don't necessarily translate to ticket sales, and the state of live music in Asia and Europe.